10-12 maj: 67,3% performative research seminar/Malin Arnell (SE)

Konstnären Malin Arnell anordnar ett tredagars forskningsseminarium på Weld där olika samarbeten, aktioner och verk från 2010 fram till idag kommer att aktiveras. 


Seminariet omfattar även presentationer, filmvisningar och diskussioner vilka knyter an till hennes pågående konstnärliga forskning inom ramen för en PhD i koreografi vid Dans och Cirkushögskolan / Stockholms Konstnärliga Högskola.

67,3% performative research seminar kan förstås som en metod för sammanflätningar och förvecklingar, där varje deltagare kommer att existera inom ramen för forskningen och där rörelsen mellan rekonstruktioner, presentationer och diskussioner genererar det koreografiska.


67,3% performative research seminar hålls på engelska


Ingen avgift

Boka på:
boka@weld.se

PROGRAM

Saturday May 10

12:00 – 18:00 Malin Arnell shares and reactivates collaborations, actions and works 2010-present.

20:00 – 21:15 After, Rehearsal After (2013). Lecture performance by Malin Arnell

21:30 – 23:00 PARTY and Concert with KOEFF. DJ Vilda Kvist

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Sunday May 11

11:30 – 12:00 Coffee and tea

12:00 – 12:15 Synopsis by Malin Arnell and Anna Koch

12:15 – 13:45 ‘Matt und Schlapp wie Schnee’, a critical re-reading of an avant-garde performance work by Gina Pane. Presentation with Stefanie Seibold and Teresa Maria Diaz Nerio

13:45 – 15:00 Lunch break

15:00 – 16:00 Reflecting Reflect Soft Matte Discourse. Presentation with Malin Arnell, Clara López Menéndez and Ulrika Gomm

16:30 – 18:30 Re-activation or How do you research Performance Art? Dialogue with Stefanie Seibold, Teresa Maria Diaz Nerio, Malin Arnell, Clara López Menéndez and Ulrika Gomm

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Monday May 12

10:00 – 10:30 Coffee and tea

10:30 – 13:00 The Oncoming Corner #14 with Katherine Brewer Ball*

13:00 – 14:15 Hosted lunch

14:15 – 16:30 How can we evaluate live events as a dissertation or dissertation as a live event? Discussion with Malin Arnell, Katherine Brewer Ball, Camilla Damkjaer, Hanna Hallgren, Lena Hammergren, Anna Koch, Efva Lilja, Teresa Maria Diaz Nerio, Stefanie Seibold, and others


*The Oncoming Corner is a series of monthly gatherings that take place in Malin Arnell’s loft in Brooklyn NY. It’s a space to share our makings, for communizing and to think together as feminists about what these terms can mean and how we can make use of their potential. During The Oncoming Corner #14 Katherine Brewer Ball will engage in a critical review and present her formal opposition of the work of Malin Arnell.


MALIN ARNELL
is an artist, researcher and educator based somewhere between Stockholm, Berlin and New York. Through performative means such as repetition, duration, enactment and text she reflects upon the political and social construction of realities. Throughout her practice, Arnell emphasizes the experiences around body (her body, their body, our body), presence, participation, membership, and other affective manifestations. She was a founding member of the feminist performance group High Heel Sisters (2002-2007) and she co-founded YES! Association/ Föreningen JA! (2005-ongoing). She completed an MFA in Visual Art at Konstfack, University College of Art, Crafts and Design, Stockholm, Sweden (2003) and was a Participant in the Studio Program at the Whitney Museum Independent Study Program, New York (2009-2010). Since 2010 she is a PhD candidate in Choreography at the University of Dance and Circus / Stockholm University of the Arts and is currently a visiting scholar at the Department of Performance Studies at the Tisch School of the Arts, New York University.

malinarnell.org

Supervisors: Anna Koch, dancer/choreographer/artistic director, Weld, Stockholm and Hanna Hallgren, Senior Lecturer, Department of Social Studies, Linnaeus University, poet and literary critic.

External opponent and dialogue partner: Katherine Brewer Ball, Andrew W. Mellon Postdoctoral Fellow, Center for Humanities, Wesleyan University

Organized by Malin Arnell and Weld
 
Supported by Weld, University of Dance and Circus / Stockholm University of the Arts.